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No hassles, no fees.” After being GrubHubbed via express mail into the open arms of his family, Booster spent his childhood cloistered in a world of religion. They would just fly a baby straight to your door. As he explained to NPR in 2020, “It was like the GrubHub of babies. For those blissfully unaware of the working of international adoption laws, South Korea was the only country in the 1980s that would fly a baby to the US. Born on the South Korean island of Jeju (the site of “the largest female-led rebellion in Korean history”) in February 1988, he was quickly adopted and sent off to Plainfield, Illinois, a suburb on the outskirts of Chicago. As the saying goes, you have to grind for this view - and Booster has absolutely done the grind.Īs he has joked in his early specials, Booster knew he was gay before he knew he was Asian. Especially if you happen to be a gay Korean guy adopted into a white Evangelical Christian family as a child. With the exception of nepotism babies born to Hollywood power couples, launching three major projects in film, TV, and standup on three of the leading streaming platforms in the span of a month doesn’t just happen. The month of June, much like Fire Island’s fabled underwear parties, is going to see a lot of Joel Booster, which is pretty monumental.
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Three days later, he caps off his hot streak honoring “the grand tradition of gay comedians” by playing a rude, gay assistant in the AppleTV+ series Loot, alongside Maya Rudolph and MJ Rodriguez. I just wanted to show, and this is so corny, gay joy.” As if dropping his biggest and most personal project yet weren’t enough, Booster will also return to standup on June 21 with a Netflix special, Joel Booster: Psychosexual. “That was the driving force behind the project. “Some of the happiest moments of my life have been on that island,” he recalls. As the star, writer, and executive producer of the film, it’s giving major “Bradley Cooper’s A Star Is Born (2018)” vibes in all the right ways, but it’s also a love letter to his experience on the famed gay locale off the coast of Long Island. The first is Fire Island, which drops on Hulu on June 3.
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Cabaret is one of the great accomplishments in musical-theater history, and half a century after its premiere it still has the power to shake us to the bones.Call it luck or chalk it up to God smiling down on the gays for once, but the comedian is on the cusp of a big break thanks to the release of three major projects in as many weeks.
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But not every depiction of LGBT people needs to make us feel good about ourselves. Even in its newest form, Cabaret is hardly a Gay Pride show (despite the title song’s paean to a hard-partying Chelsea queen) its queer elements largely function as decadence, irony or obstacle. After Bob Fosse made the central character bisexual in his superb 1972 film version, however, revivals of the show rewrote him as nonstraight-and the transformative 1998 Broadway production, which returned to Broadway in 2014, upped the ante by making the malign Emcee of the seedy Kit Kat Klub explicitly queer as well. The original 1966 version of this portrait of German life in the early 1930s-with a book by Joe Masteroff and a classic score by John Kander and Fred Ebb-scrubbed the gayness from its source material, Christopher Isherwood's 1939 novella Goodbye to Berlin. Cabaret ’s unusual evolution gives it a special place on this list, as its relationship to gay content has been in a continual state of flux.